The Haunting of Velkwood by Gwendolyn Kiste

One of the my biggest pet peeves in the book world is when the blurb of the book technically matches the book but doesn’t really capture it—this is even more annoying to me when the blurb lets me down instead of the book surprising me.

The first offense comes in the header: From Bram Stoker Award­–winning author Gwendolyn Kiste comes a chilling novel about three childhood friends who miraculously survive the night everyone in their suburban hometown turned into ghosts—perfect for fans of Yellowjackets.

Besides the fact “everyone in the suburban hometown turned into ghosts” is not exactly accurate to what happens in the book, comparing this book to Yellowjackets is wildly inaccurate. Yes, this book is about 40-year-old women dealing with something that happened when they were 20—so that retrospective element is there—the style of horror of The Haunting of Velkwood is nothing like the horror of Yellowjackets. The goals of these two pieces of media are nothing alike; the characterization shares practically nothing. I have no idea who was in charge of that comparison, but it is wildly off-base.

Then we move into the inside flap copy itself: The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter—and only one has in the past twenty years, until now.

The set-up of the story implies there will be a focus on the theorizing, etc. While there are scientists in the book who serve an important function (I actually quite liked them; I’ll come back to that), that’s far from the main point of the book itself. On a minor issue: “a near-impenetrable veil that only three survivors could enter” could be significantly better written to create the punch that these three women are the only ones who can enter.

The main character is then introduced: Talitha Velkwood has avoided anything to do with the tragedy that took her mother and eight-year-old sister, drifting from one job to another, never settling anywhere or with anyone, feeling as trapped by her past as if she was still there in the small town she so desperately wanted to escape from.

I noticed immediately that our main character is eponymous. I was expecting this to be significant—it was not. The only reason the neighborhood is called “Velkwood” is because the Velkwoods were the first family to buy a house on the street. That doesn’t even really make sense because usually there are names given by the developers to neighborhoods like that. More than that, if the author is going to link the place to the narrator/main character, I expect that to mean something.

I also want to note that the above quote is a single sentence. So much is packed into it that doesn’t give us anything about the story. Talitha’s listlessness is only partly relevant to her characterization (although her characterization is pretty lack-luster). We are told over and over that she’s not attached to anyone or anything, but then she is given a deep and emotional attention to her eight-year-old sister. So does she or does she not have serious attachments?

Let us continue: When a new researcher tracks her down and offers to pay her to come back to enter the vicinity, Talitha claims she’s just doing it for the money. Of all the crackpot theories over the years, no one has discovered what happened the night Talitha, her estranged, former best friend Brett, and Grace, escaped their homes twenty years ago. Will she finally get the answers she’s been looking for all these years, or is this just another dead end?

Here we are introduced to the other main characters: the new researchers, Jack, and the other two survivors: Brett and Grace. Grace as an entirely irrelevant character who added nothing to the story at all. There were multiple attempts to make her relevant to the story, but they never worked. I’m not even sure if she had potential to be a more interesting character, unlike Jack, who could’ve been more interesting. His family history tied him (indirectly) to the mystery of Velkwood. But the emotional impact of the relationship and the closure of what he’s looking for is just…nothing. It falls entirely flat.

Kiste tries to make the emotional core of the book to be the relationship between Talitha and her sister Sophie but Talitha and Brett ground the book. At the same time, Brett and Talitha are competing for emotional space. The book would be so much stronger if Brett’s family relationships were not part of it. I believe Kiste was trying to give both of them reasons to be fleeing the town, but the thing that unites them is motivation enough for both them. There didn’t need to be that added element. I’m trying to talk around it to avoid spoilers, but if you’ve read the book you know what I’m talking about.

Finally, I wanted this to lean more into being literary horror—to leave a lot of the mystery unsolved. But the second half of the book focused on explaining every piece of why and how this neighborhood turned into a ghost. The metaphor was powerful enough; I didn’t want a clear cut answers. I wanted to sit in the metaphor, to let it wash over me, and to explore the nooks and crannies of this neighborhood and how they shaped Brett and Talitha.

I found this book to just be a massive missed opportunity. There were so many places where this book could’ve succeeded and been really powerful. Like I said, the metaphor the book is working with was one I loved. But nothing was taken as far as I wanted and too much was shoved into a fairly small book, stymieing the book’s possibilities.

I received a digital version of this book for free from Saga Press as part of their Saga Says crew. Thank you so much for giving me the chance to read and review!